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・ Eduardo Ricagni
・ Eduardo Risso
・ Eduardo Risso (rower)
・ Eduardo Roberto dos Santos
・ Eduardo Rodrigues Souza
・ Eduardo Rodríguez
・ Eduardo Rodríguez (director)
・ Eduardo Rodríguez (disambiguation)
・ Eduardo Rodríguez (left-handed pitcher)
・ Eduardo Rodríguez (right-handed pitcher)
・ Eduardo Rodríguez Fernández
・ Eduardo Rodríguez Larreta
・ Eduardo Rodríguez Rodway
・ Eduardo Romero
・ Eduardo Roquero
Eduardo Rosales
・ Eduardo Ruberté Bisó
・ Eduardo Rubio
・ Eduardo Rózsa-Flores
・ Eduardo Sainz de la Maza
・ Eduardo Salhuana
・ Eduardo Salvio
・ Eduardo Santamarina
・ Eduardo Santana
・ Eduardo Santiago Delpín
・ Eduardo Santos
・ Eduardo Santos (judoka)
・ Eduardo Santos (sport shooter)
・ Eduardo Sarmiento
・ Eduardo Sartelli


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Eduardo Rosales : ウィキペディア英語版
Eduardo Rosales

Eduardo Rosales Gallinas (4 November 1836, Madrid - 13 November 1873, Madrid) was a Spanish painter. He was an adherent of the Italian-based art movement known as "Purismo" and specialized in historical scenes.
== Biography ==
He was the second son of a minor official and began his education in a private school operated by the Escolapios, later attending the Instituto de San Isidro. He was orphaned as a teenager and enrolled in the Real Academia de Bellas Artes de San Fernando, where he studied under Federico de Madrazo in 1851.〔(Museo del Prado: ) Brief biography.〕
He accompanied some friends to Rome in 1857, without a fellowship or other financial support, until he received a special stipend from the government to continue his studies in 1861.〔 He joined a group of Spanish painters who gathered in the Antico Caffè Greco, which included José Casado del Alisal, Dióscoro Puebla and Marià Fortuny. There he began to associate with followers of the Nazarene movement, but soon abandoned his interest in them and produced his first important work "Tobías y el angel".
However, he continued to be interested in developing a more realistic style, which was achieved in his masterpiece "Doña Isabel la Católica dictando su testamento". He took it to the International Exposition (1867) in Paris〔 and later returned to Rome, where he sent a telegram to his friends Martín Rico and Raimundo de Madrazo telling them that the painting had been an outstanding success; taking the First Gold Medal for work by a foreigner. He was also named a Chevalier in the Legion d'Honneur.〔(Colleciones Artísticas ): Brief biography.〕

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